[Music] Top 20 Tracks of 2014, Part One (#20 – 11)

No musical trend in recent memory has maintained its credibility quite as strongly as the house resurgence. In it’s purest form, the sparse but meticulously built beats affiliated with the genre are putty in the hands of a capable songwriter. Repetition is a hallmark, but so is solidity; with a serviceable melody locked down, certain artists thrive in their adventures with the blank canvas, an honest musical space that leaves orthodox themes (love, sex, heartbreak, repeat) ugly and exposed. This inherent pluckiness means that even the most chart-chomping house cut can find some love from the alt-music blogosphere, if not for its emotional resonance, then for a semi-ironic admiration of it’s 90’s credentials.

The house movement has been something of a trojan horse in the UK, ushering a host of homegrown talents – MNEK, Duke Dumont, Clean Bandit – into the Top 40, as well as allowing comparably exotic acts – Kiesza, Faul & Wad Ad – to be welcomed with open arms (Take that, UKIP). Our list reflects this popularity, but also bridges the gap between radio-friendly hits and Pitchfork-approved gems. Also on our radar this year are talent show also-rans, a Cuban sex-pest and a smattering of “conscious uncouplings”.

Enjoy.

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20. Pitbull – Timber [feat. Ke$ha], TBA

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Available to buy on iTunes

The unlikely union of country music and dance arrived last year in the form of Avicii’s “Wake Me Up”, but that was a rather stony-faced foundation for what should have been an unashamedly tacky subgenre.

Enter mediocre rapper Pitbull, LOL-pop refugee Ke$ha, and a tangy, harmonica-led instrumental. “Timber” is purpose-built for dance floor domination; Mr. Worldwide’s verses are mercifully brief, serving as clumsy foreplay for the song’s infectious hook and riotous breakdown. He isn’t a complete spare part, however: that pre-chorus is what sweaty, late hour nightclub-based dreams are made of.

See also: “Wild Wild Love” [feat. GRL], “Wake Me Up” / “Hey Brother” by Avicii

19. Le Youth – Dance With Me [feat. Dominique Young Unique], TBA

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Available to buy on iTunes

On his second single, L.A.-based DJ Le Youth eschews the sumptuous ebb and flow of his Cassie-sampling breakthrough hit “C O O L”, instead turning in a relentlessly funky jam built on curt snippets from TLC’s iconic “No Scrubs”. Jubilant house piano stabs and a spongy bassline negate Dominique Young Unique’s limp rap.

See also: Le Youth’s excellent Fixtape, “Falling Scrubs” (TLC vs. Haim – Carlos Serrano Mash-Up)

18. MNEK – Every Little Word, TBA

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Available to buy on iTunes

Considering the current ubiquity of the genre, rising British star Uzoechi Osisioma Emenike (A.K.A MNEK) took a gamble in not following up his Gorgon City collaboration “Ready For Your Love” with another sleek house-inspired gem. “Every Little Word” is arguably just as sweet in its content, but frames MNEK’s soulful voice with confrontational production tricks. Drums pound, basslines wobble comically, and a randy Darth Vader asks repeatedly if we “fuck to this sh*t”.

No judgment if you do.

See also: Ready for Your Love, Baby”  by Rudimental [feat. MNEK & Sinead Harnett]

17. Faul & Wad Ad VS. Pnau – Changes, Changes E.P.

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Available to buy on iTunes

With a whirling saxophone, euphoric synths and a children’s choir (lifted from Pnau’s frankly creepy 2007 single “Baby”) all vying for your attention over the course of six minutes, it’s a miracle this debut effort from French producers Faul & Wad Ad isn’t a convoluted mess. The duo take care to ensure the separate elements all get a chance to shine, but it’s that sax-lad denouement that lends “Changes” its earthy beauty.

See also: Changes” (Bontan Remix)

16. Kiesza – Hideaway, TBA

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Available to buy on iTunes

This ridiculously assured debut from Canadian pop ingénue Kiesza hit the UK No. 1 spot in April, although punters were perhaps so entranced by the transcendent deep-house cut’s one-take, choreography-heavy video that they failed to notice a crucial lack of identity between the strong verses and understated breakdown.

As much she feels like a guest vocalist on her own track, Kiesza still has the makings of a top tier popstar.

See also: What Is Love

15. St. Vincent – Digital Witness, St. Vincent

St-Vincent

Available to buy on iTunes

Critics bemoaned the lack of Anne “St. Vincent” Clark’s signature riffing on her latest self-titled record, but the glossy, pseudo-psychedelic saunter of “Digital Witness” is all the better for it, instead leaving the heavy-lifting to a rubbery horn section and stonking bass.

A scathing treatise on social media, Clark asks “If you can’t see me / What’s the point of doing anything?” – skewering our if-a-tree-falls-in-a-forest approach to what were once life’s simple pleasures.

See also: Birth In Reverse”, “Prince Johnny

14. Ariana Grande – Problem [feat. Iggy Azalea], TBA

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Available to buy on iTunes

An underfed chorus mars this otherwise brilliant slice of summery hip-hop-pop, courtesy of perennial hit-maker Max Martin (Britney Spears, Katy Perry). Nickelodeon star Grande has been on our radars since last year’s “The Way” positioned her as the new Mariah Carey, but “Problem” ushers the twenty year old into more club-friendly territory.

Her sugary but powerful voice contrasts nicely with the track’s thumping beat and post-“Thrift Shop” saxophone breakdown, but it’s rapper Iggy Azalea who really impresses, putting tired assertions of her “swag” aside for a moment to deliver an attitude-packed verse.

See also:The Way”, “Wait (The Whisper Song)” by Ying Yang Twins, “Fancy” by Iggy Azalea [feat. Charli xcx]

13. Shift K3Y – Touch, Touch E.P.

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Available to buy on iTunes

There’s a whiff of Craig David’s early noughties forays into garage on “Touch”, thanks in part to Shift K3Y’s (nee Lewis Jankel) soft, nasally timbre. The italo disco-flavoured production is surprisingly minimalist, although the track whirls by at such a pace that mistaking it for a kitchen-sink affair would be forgivable.

See also: Make It Good, Keep Your Mouth Shut (Things That We Do)” [feat. Griminal]

12. Soft Lit – Ocean King, GODMODE: Common Interests Were Not Enough to Keep Us Together

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Available to buy from Godmode’s online store 

New York-based roommates-turned-musical duo Tyler McCauley and visual artist Tara Chacon meld R&B-friendly melodies with airy, organic production on “Ocean King”, one of the many highlights from Godmode’s excellent label showcase compilation Common Interests Were Not Enough to Keep Us Together.

McCauley contrasts almost-murmured verses with dark, fizzing synths and rattling drum machines come the chorus, with Chacon’s Kate Bush-style harmonies selling a dramatic tale of a love gone sour.

See also: Lately

11. Shakira – Empire, Shakira

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Available to buy from iTunes

Blank out all memories of the underwhelming Rihanna duet “Can’t Remember to Forget You”; pop’s ultimate bohemian streamlined her baroque musical style into an Alanis Morissette-esque piano ballad-cum-rock number that only she could pull off, complete with distorted stadium-sized howls.

See also: Chasing Shadows“, “Cut Me Deep” [feat. Magic!]

Continued – Tracks #10 – #1

[Music] Top 35 Tracks of 2013 (#35 – #21)

35. Robin Thicke – Blurred Lines [feat. Pharrell and T.I.], Blurred Lines

Available from iTunes

YouTube-Bans-RB-Singers-Video-+18-2As divisive as the track may be, it would be churlish to ignore Robin Thicke’s monstrously successful ode to dodgy dance floor-based ethics when summing up the last year in music. The presence of the currently infallible Pharrell Williams and a warm, Marvin Gaye-aping instrumental – not to mention a notoriously ‘stripped-back’ promo video – combined to create a heady cocktail that had punters checking their social consciousnesses at the door. For better or for worse, “Blurred Lines” is the sound of pure carnal lust left unspoiled by the pressures of political correctness.

34. Britney Spears – Work Bitch, Britney Jean

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It would seem the record-buying public didn’t appreciate the irony of being told to work harder by one of the laziest ladies in pop, which may explain their apathy towards the first offering from Spears’ eighth studio album, Britney Jean. Following the ubiquity of last year’s “Scream & Shout”, launching with a Will.i.am-penned banger was a no-brainer, but no one could anticipate that their reunion could yield a song as devoid of grey matter as “Work Bitch”. What the track lacks in brains, however, it makes up for with the strength of its steely balls. Eschewing any form of tangible structure, relying on only a hard, repetitive beat and Spears’ trademark British accent, the song feels as alien to the wants of radio as the woman singing it feels removed from the wants of the industry, and in that sense it makes for a fascinating listen.

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