‘Raising Hell’ by Kesha: A rapturous celebration of freedom

Had it been unleashed at the height of Obama-era optimism in 2011, Kesha’s new single ‘Raising Hell’ would have a three-week minimum stint at #1 on lock. 

The infectious LOL-pop number – replete with horn-driven breakdowns – is as purpose-built for sorority house party playlists as ‘Tik Tok’ or ‘We R Who We R’. At its heart is a message of salvation through sin, a textbook credo for a Kesha song, written for the ‘misfits of creation’. 

A welcome difference this time is a dose of churchy delirium (handclaps, dramatic pianos, chintzy organs) that not only allows Kesha to really SANG, but also dovetails nicely with 2017’s GRAMMY-nominated ‘Praying’. 

But where that ballad was a searing account of alleged abuse at the hands of disgraced über-producer Dr. Luke, ‘Raising Hell’ is a rapturous celebration of freedom. Even when the unmistakable voice of bounce legend Big Freedia commands you to ‘drop it down low’, this is a party where the guests are drunk on gratitude more than anything else. 

Watch Kesha preach the good word and kill her abusive husband(!) in the ‘Raising Hell’ video below:

Kesha takes the highest road on “Praying”

kesha.jpg

2009’s party classic “TiK ToK” may have sold Kesha – she’s dropped the “$” for now – as a one-note character, but it was one others wanted to play. A force at her initial peak, she wrote Britney Spears’ hit “Till the World Ends”, and had her schtick jacked by Katy Perry (“California Gurls”), Miley Cyrus and LMFAO.

For all the bludgeoning EDM and Auto-Tune, there was a perceptibly punk bent to Kesha Sebert’s music. She can belt like a rock star, but knows dance music is more conducive to free love than any other.

Praying” – her first single in four years, and first shot at a ballad release – is upsetting for many reasons, but the shadow it casts over her dollar-sign days is its first knife-twist. Addressing her troubling legal battle with producer Dr. Luke, Kesha takes the high road, and seeks to see the best in her abuser.

Religious references abound, but more so musically then lyrically. Ryan Lewis’s piano is the song’s backbone, propping up a quiet, dignified chorus, even as it blossoms into a stomping country-gospel rapture: “I hope you’re somewhere praying / I hope your soul is changing”.

Kesha’s naked vocal is impressive, and her zesty, adenoidal tone channels the melody better than any studio trickery could. A quiet admission of “I’m proud of who I am” is the link between her old and new material. Kesha’s self-love has suffused her search for both carnage and catharsis – so as long as she has it, the party is far from over.

[Music] Top 20 Tracks of 2014, Part One (#20 – 11)

No musical trend in recent memory has maintained its credibility quite as strongly as the house resurgence. In it’s purest form, the sparse but meticulously built beats affiliated with the genre are putty in the hands of a capable songwriter. Repetition is a hallmark, but so is solidity; with a serviceable melody locked down, certain artists thrive in their adventures with the blank canvas, an honest musical space that leaves orthodox themes (love, sex, heartbreak, repeat) ugly and exposed. This inherent pluckiness means that even the most chart-chomping house cut can find some love from the alt-music blogosphere, if not for its emotional resonance, then for a semi-ironic admiration of it’s 90’s credentials.

The house movement has been something of a trojan horse in the UK, ushering a host of homegrown talents – MNEK, Duke Dumont, Clean Bandit – into the Top 40, as well as allowing comparably exotic acts – Kiesza, Faul & Wad Ad – to be welcomed with open arms (Take that, UKIP). Our list reflects this popularity, but also bridges the gap between radio-friendly hits and Pitchfork-approved gems. Also on our radar this year are talent show also-rans, a Cuban sex-pest and a smattering of “conscious uncouplings”.

Enjoy.

***

20. Pitbull – Timber [feat. Ke$ha], TBA

pitbull

Available to buy on iTunes

The unlikely union of country music and dance arrived last year in the form of Avicii’s “Wake Me Up”, but that was a rather stony-faced foundation for what should have been an unashamedly tacky subgenre.

Enter mediocre rapper Pitbull, LOL-pop refugee Ke$ha, and a tangy, harmonica-led instrumental. “Timber” is purpose-built for dance floor domination; Mr. Worldwide’s verses are mercifully brief, serving as clumsy foreplay for the song’s infectious hook and riotous breakdown. He isn’t a complete spare part, however: that pre-chorus is what sweaty, late hour nightclub-based dreams are made of.

See also: “Wild Wild Love” [feat. GRL], “Wake Me Up” / “Hey Brother” by Avicii

19. Le Youth – Dance With Me [feat. Dominique Young Unique], TBA

10406813_687090374659895_4930052644456971176_n

Available to buy on iTunes

On his second single, L.A.-based DJ Le Youth eschews the sumptuous ebb and flow of his Cassie-sampling breakthrough hit “C O O L”, instead turning in a relentlessly funky jam built on curt snippets from TLC’s iconic “No Scrubs”. Jubilant house piano stabs and a spongy bassline negate Dominique Young Unique’s limp rap.

See also: Le Youth’s excellent Fixtape, “Falling Scrubs” (TLC vs. Haim – Carlos Serrano Mash-Up)

18. MNEK – Every Little Word, TBA

SAMSUNG CSC

Available to buy on iTunes

Considering the current ubiquity of the genre, rising British star Uzoechi Osisioma Emenike (A.K.A MNEK) took a gamble in not following up his Gorgon City collaboration “Ready For Your Love” with another sleek house-inspired gem. “Every Little Word” is arguably just as sweet in its content, but frames MNEK’s soulful voice with confrontational production tricks. Drums pound, basslines wobble comically, and a randy Darth Vader asks repeatedly if we “fuck to this sh*t”.

No judgment if you do.

See also: Ready for Your Love, Baby”  by Rudimental [feat. MNEK & Sinead Harnett]

17. Faul & Wad Ad VS. Pnau – Changes, Changes E.P.

FAUL-+-WAD-AD-42778I33998_m

Available to buy on iTunes

With a whirling saxophone, euphoric synths and a children’s choir (lifted from Pnau’s frankly creepy 2007 single “Baby”) all vying for your attention over the course of six minutes, it’s a miracle this debut effort from French producers Faul & Wad Ad isn’t a convoluted mess. The duo take care to ensure the separate elements all get a chance to shine, but it’s that sax-lad denouement that lends “Changes” its earthy beauty.

See also: Changes” (Bontan Remix)

16. Kiesza – Hideaway, TBA

152038

Available to buy on iTunes

This ridiculously assured debut from Canadian pop ingénue Kiesza hit the UK No. 1 spot in April, although punters were perhaps so entranced by the transcendent deep-house cut’s one-take, choreography-heavy video that they failed to notice a crucial lack of identity between the strong verses and understated breakdown.

As much she feels like a guest vocalist on her own track, Kiesza still has the makings of a top tier popstar.

See also: What Is Love

15. St. Vincent – Digital Witness, St. Vincent

St-Vincent

Available to buy on iTunes

Critics bemoaned the lack of Anne “St. Vincent” Clark’s signature riffing on her latest self-titled record, but the glossy, pseudo-psychedelic saunter of “Digital Witness” is all the better for it, instead leaving the heavy-lifting to a rubbery horn section and stonking bass.

A scathing treatise on social media, Clark asks “If you can’t see me / What’s the point of doing anything?” – skewering our if-a-tree-falls-in-a-forest approach to what were once life’s simple pleasures.

See also: Birth In Reverse”, “Prince Johnny

14. Ariana Grande – Problem [feat. Iggy Azalea], TBA

ariana-grande-unkown-photoshoot-2014_1

Available to buy on iTunes

An underfed chorus mars this otherwise brilliant slice of summery hip-hop-pop, courtesy of perennial hit-maker Max Martin (Britney Spears, Katy Perry). Nickelodeon star Grande has been on our radars since last year’s “The Way” positioned her as the new Mariah Carey, but “Problem” ushers the twenty year old into more club-friendly territory.

Her sugary but powerful voice contrasts nicely with the track’s thumping beat and post-“Thrift Shop” saxophone breakdown, but it’s rapper Iggy Azalea who really impresses, putting tired assertions of her “swag” aside for a moment to deliver an attitude-packed verse.

See also:The Way”, “Wait (The Whisper Song)” by Ying Yang Twins, “Fancy” by Iggy Azalea [feat. Charli xcx]

13. Shift K3Y – Touch, Touch E.P.

artworks-000073766951-1nd44y-original

Available to buy on iTunes

There’s a whiff of Craig David’s early noughties forays into garage on “Touch”, thanks in part to Shift K3Y’s (nee Lewis Jankel) soft, nasally timbre. The italo disco-flavoured production is surprisingly minimalist, although the track whirls by at such a pace that mistaking it for a kitchen-sink affair would be forgivable.

See also: Make It Good, Keep Your Mouth Shut (Things That We Do)” [feat. Griminal]

12. Soft Lit – Ocean King, GODMODE: Common Interests Were Not Enough to Keep Us Together

softlit_zps72c174f4

Available to buy from Godmode’s online store 

New York-based roommates-turned-musical duo Tyler McCauley and visual artist Tara Chacon meld R&B-friendly melodies with airy, organic production on “Ocean King”, one of the many highlights from Godmode’s excellent label showcase compilation Common Interests Were Not Enough to Keep Us Together.

McCauley contrasts almost-murmured verses with dark, fizzing synths and rattling drum machines come the chorus, with Chacon’s Kate Bush-style harmonies selling a dramatic tale of a love gone sour.

See also: Lately

11. Shakira – Empire, Shakira

shakira-can-t-remember-to-forget-you-2014-_3

Available to buy from iTunes

Blank out all memories of the underwhelming Rihanna duet “Can’t Remember to Forget You”; pop’s ultimate bohemian streamlined her baroque musical style into an Alanis Morissette-esque piano ballad-cum-rock number that only she could pull off, complete with distorted stadium-sized howls.

See also: Chasing Shadows“, “Cut Me Deep” [feat. Magic!]

Continued – Tracks #10 – #1