Available to buy on iTunes
Review: There is a common thrust to the most lucrative tier of singer-producer MNEK’s output. From the guest turn on Gorgon City’s “Ready For Your Love” early last year that marked his chart debut, to his soulful groans on Madonna’s recent single “Living For Love”, to his latest release “The Rhythm” – which enters the UK Top 40 this week at #38, becoming his most successful solo cut to date – the notion that stints as a reliable prop for diluted, radio-friendly house tracks conjured up in a record label boardroom are MNEK’s (née Uzo Emenike) bread-and-butter is a difficult one to resist.
Each of the aforementioned tracks are immensely enjoyable on their own terms, and had the Small Talk EP arrived bereft of its most eccentric, laterally-thinking moments, MNEK’s flair for sprightly melodies and pinning down potentially saccharine turns of phrase with puppy-eyed sincerity would still ensure his addition to the British music scene to be a more than welcome one.
But for those accustomed to hearing Uzo’s rich baritone over splashes of cotton-padded synth and a 4/4 beat, the nü-electroclash crush of opening track “Every Little Word” will scan as a startlingly left-field curio. Somewhere amidst a clunky fever dream of pounding drum machines, wobbly synth and gooey basslines lies an unshakably cute love song, and although not the most graceful example of MNEK’s pop prowess, the track contains a far more tangible sense of personality than “The Rhythm”. As serviceable as that finger-clicking single is, an over-reliance on the deep bass burble of its garage-flavoured breakdown in lieu of an actual chorus backs its headliner into the undesirable role of a slightly anonymous guest vocalist.
It should therefore come as no surprise that this EP’s sharpest moments begin to crystallise when his own idiosyncrasies converge with cut-glass songwriting. The criminally underrated 2014 single “Wrote a Song About You” is a disarmingly sweet highlight, retaining its emotionally-charged thump even when the tempo shifts up a gear and Uzo goes full-on diva for the final chorus. “In Your Clouds” brews its luxurious electro-R&B groove into a fluffy gust of pitched-up chants (“Take me to that place / Aaa-aah…”) and a whistling wind instrument, while “More Than A Miracle” sidesteps the generically clean dance leanings implied by its preamble in favour of a fractured bubblegum chorus melody relayed over a grime-echoing beat.
One certainly can’t fault the efficiency of this six-tracker. As the final notes of the sole ballad “Suddenly” are scaled to cap off this breathless overview of MNEK’s potential, the listener has a healthy knowledge of what exactly makes him special as an artist, and, perhaps just as importantly, how he could possibly blend into the mainstream should the duty call.