Add to library: Metalheads will enjoy every track
It’s impossible for me to discuss Poppy’s third album I Disagree without acknowledging the sensational controversies that I presume she does not agree with.
Moriah Pereira rose to Youtube fame midway through the 2010s as a soft-spoken, platinum-blonde cyborg-doll known as That Poppy. Conceived alongside director and then-boyfriend Titanic Sinclair, the character drew over ten million views with deliberately abstract sketches that parodied human concerns and behaviours, such as eating cotton candy and applying makeup.
Pereira wisely exploited her online infamy to make a dent in the real world as a musician, delivering an unexpectedly credible electro-pop album with 2018’s Am I A Girl?.
There was only one problem: Sinclair had co-hosted a cult Youtube series with another soft-spoken, blonde romantic/creative partner just a few years before. On Computer Show, singer-actress Mars Argo spoke in a distinctly child-like tone that – like Pereira – elevated the script’s surreal humour. In November 2014, less than a year after Argo and Mixter split, Poppy made her world debut. In 2018, Argo filed a lawsuit against Poppy and Mixter, accusing them of replicating a ‘Mars Argo knockoff’.
Flash forward to 2020: the Argo-Pereira-Mixter triangle have just settled their case out of court, and are seemingly ready to move on and never speak to one another ever again. Perhaps most notably, both women now accuse Mixter of emotional and psychological abuse and manipulation.
‘You shouldn’t be anything like me!’
This legal saga has long been a thorn in Poppy’s side. Although she distanced herself from Sinclair prior to the album’s release, you only need to notice his name in the writing credits to understand how fresh all this pain still is. If you can imagine Poppy sucking the poison out of her wound, I Disagree is where she’s spitting it back out.
Picking up where the tail end of Am I…? left off, this ten-track set is a head-on collision of heavy metal and candied vocals. The only reprieve is ‘Nothing I Need’, a synthwave palette cleanser that casually makes light of Argo’s accusations of plagiarism: ‘Someone else will always do it, they’ll do it better / Here’s your prize for competition’.
‘Anything Like Me’ is even more damning in its attempt to exorcise Mixter and Argo: ‘I’m everything she never was / Now everyone’s out for my blood’. As juicy as all this drama is, I’m not thrilled about getting kicks over a female fued in 2020. Luckily, every cry of ‘You shouldn’t be anything like me!’ doubles as both a swipe at Argo, as well as a warning to fans about the perils of being a public figure. This specious argument means my feminist ass can bop guilt-free, wahey!
Thundering guitars and throat-shredding screams are suitable metaphors for Poppy’s hostile rage – but it’s the album’s sudden lurches into chirpy, sing-song refrains that will give you whiplash. ‘Concrete’ is a song about being ‘buried six feet deep’ and ‘covered in concrete’ that also feels the need to burst into a Beach Boys-aping bridge.
But wait, there’s more! In its final lap, the song inexplicably slows down into corny 90s soft rock, transforming Poppy’s grisly request to be turned into a street into something that sounds hilariously wholesome.
Such an anarchic approach to songwriting and life in general is to be expected from an artist in Poppy’s position. I Disagree allows her to start a new decade unburdened by a troubling storyline that has stained her reputation. And yet, to an extent, it’s one that has defined some of her finest work.
Considering the singer is now a brunette (her natural colour) and currently conducting tour meet-and-greets with fans from an upright casket, it’s clear that some kind of strategic rebirth is in the works. Whether or not Pereira would openly agree, Poppy 1.0 still has inextricable ties to the visions of both Sinclair and Argo. If the character must die, this gruesome, cathartic, mini-masterpiece is a fitting eulogy.
And who knows? Perhaps the best is yet to come. As Poppy says, ‘We’ll be safe and sound when it all burns down’.