Add to library: ‘Late Night Feelings’, ‘Find U Again’, ‘Truth’, ‘Nothing Breaks Like A Heart’
Mark Ronson’s fifth album is an emotional knockout, buoyed by a stellar all-female line-up including Lykke Li, Camila Cabello, Alicia Keys, and YEBBA.
In this post-meme culture we live in, the threat of ‘catching feelings’ will provoke a near-ironic response from the nearest millennial and Gen Z listener. It is a response wrought with gory fears of rejection and heartbreak. If Drake’s ‘In My Feelings’ is to be believed, feels are a free pass to be uncompromisingly needy; if you ever receive a ‘Kiki, do you love me?’ kinda late-night voicemail, anyone with a fuckboi allergy would be wise to delete it.
Late Night Feelings basks in these connotations of messy melodrama, perhaps because Ronson acknowledges the resplendent beauty in watching yourself cry in the mirror. Don’t act like you don’t do it.
As its cover art plainly reveals, this is a concept album about heartbreak. There are moments of camp – the 70s disco-infused title track basically stomps around swigging a glass of wine with mascara running down its face – but for the most part, Ronson’s MO is giving his contributors room to air their dirty emotional laundry, and the producer’s faith is rewarded with 13 nuanced takes on an age-old subject.
Camila Cabello dazzles on the minor-key tech house number ‘Find U Again’. The lovelorn damsel role she’s given to play is nothing new, but the popstar’s razory gargle and a helpful nod to mental health (‘I do therapy at least twice a week’) add shades of spunk to her unlucky-in-love character.
The themes are consistent throughout, but Ronson’s productions span a pleasing array of genres – from country-dance hybrids (Miley Cyrus vehicle ‘Nothing Breaks Like A Heart’), to prog-folk (‘True Blue’, featuring Angel Olsen), to unremarkable tropipop (‘Don’t Leave Me Lonely’, the best of a triptych of tracks from rising star YEBBA, whose affected bleating can next be heard on Ed Sheeran’s upcoming collaborations album. I hope it was worth it, YEBBA!).
Only ‘Truth’ looks at heartbreak from an outwardly perspective. Alicia Keys and Portland rapper The Last Artful, Dodgr use their time in the studio to express their political discontent in Trump’s America, and share their top tips for staying sane in a society that’s becoming increasingly numb to injustice: ‘Keep on educatin’, meditatin’, anything to keep me up’.
The track’s phat industrial hip-hop stomp and lyrical grit sounds more like something from Kendrick Lamar’s To Pimp A Butterfly than anything else here. The contrast is an absolute tonic in the context of the record. The crumbling democracy of a global superpower, the ramifications of which might just eviscerate civilisation as we know it, highlights the relative frivolity of our own personal, low-stake melodramas.
If Ronson likes to watch himself cry in the mirror, then he knows it’s always better when a fragment of your conscience, however tiny, knows the reason won’t really matter in the long run. Hearts heal. Eyes dry. Confront your reflection, top up your mascara, hit the town, and catch some late night feelings.