Daphne & Celeste’s comeback album is an unpredictable triumph

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Hey Daphne, whatever happened to Yazz?

It’s a shoulder-tapping question on an album that begs a few of them. What divine force brought the gruesome twosome behind early-noughties school playground anthems ‘U.G.L.Y’ and ‘Ooh Stick You’ near a recording booth again? And why did wonky-pop maestro Max Tundra choose to write and produce his first full-length in ten years for them?

The point is, in a parallel universe, Tundra’s pop obsession runs so deep, he could have just as easily gifted …Save the World to 80s singer Yazz (she of ‘The Only Way is Up‘ fame) , or Taylor Dayne, or Shocking Blue, two more flash-in-the-pan icons name-checked in the same song. And they’d be lucky to have it. The album is a touching tribute to the juvenile sugar rush only class A drugs and supposedly throwaway music can provide, all while managing to sound fresh and unpredictable.

But make no mistake: this record belongs as much to Daphne & Celeste as it does to the man twiddling the knobs. Thrown into the pop machine as teenagers, fronting singles overflowing with insults – which they would fearlessly perform to a violently drunk crowd at Reading 2000 – the pair’s story is unique, and the best tracks tend to play off their serendipitous friendship.

Tundra makes heavy use of vocoders to heighten, rather then tame, their cartoonish personalities. On ‘BB’, they take ‘basic buskers’ to task for clogging the charts with heteronormative drivel. An Ed Sheeran-skewering guitar-and-vocal refrain gives the song a solid melodic foundation, but in a meta twist, the girls make no effort to hide their disdain for it: ‘This is the first thing you figure out when you get a guitar’.

…Save the World is aimed squarely at those with a sweet tooth for irony-laden pop. Daphne & Celeste & Max spend so much time winking, they may well have been legally blind recording these songs, and ‘Sunny Day’ and closer ‘Kandy Korn’ arguably push the 90s-Nickelodeon-show-on-crack vibe an inch too far. That said, if you can’t hear an inexplicable beauty in the acid-trance gem ‘Alarms’, then maybe you don’t deserve to be saved.

8.5 / 10

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