“Fucking fascists –
Who the fuck are you to give fifty lashes?”
2016’s conceptually bold, socially aware releases weren’t just embraced by the mainstream – they set a precedent for any artist looking to maximise their platform. Run The Jewels’ latest might seem like another silver lining in a torrid political climate, but it’s really just business as usual for the hip-hop supergroup.
Since the first instalment in their self-titled trilogy in 2014, El-P and Killer Mike have been harbingers of revolution. Both are exceptional rappers with strong principles, touching on everything from drug wars to Black Lives Matter to reciprocal oral sex. In the wake of last year’s U.S election, their fight against oppression continues on RTJ3.
The duo’s music still sounds huge and extraterrestrial. It verges on intimidating, but there’s a lot of colour, and El-P’s beats are proud in their artificiality. On “Call Ticketron”, synths wriggle wildly, culminating in a sudden rave-y finale. “Panther Like A Panther” is a luminous fusion of trap and breakbeat textures.
A slow and sweet opener, “Down” reflects on a troubled past, and insists perseverance is the only option in surprisingly gentle terms. The skulking “Thieves (Screamed the Ghost)” is more resigned, with a tormented El-P begging for a night’s reprieve from the world’s injustices: “Some get to count sheep, some gotta count kids that they burying”.
Songs don’t come more charged than “Hey Kids (Bumaye)” – using a Congolese expression meaning “Kill him” to incite an uprising against influential business moguls – but RTJ3 is hardly inaccessible. “Stay Gold” wields a fun, spelt-out hook, digressing from politics entirely to paint a portrait of a relationship that’s dripping in gratitude.